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Salar Mameni (2023). Terracene: A Crude Aesthetics Film-Philosophy (IF 0.4) Pub Date : 2025-05-27
Jasmine SanauFilm-Philosophy, Volume 29, Issue 2, Page 520-523, June, 2025.
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Vivian L. Huang (2022). Surface Relations: Queer Forms of Asian American Inscrutability Film-Philosophy (IF 0.4) Pub Date : 2025-05-27
Max CaseyFilm-Philosophy, Volume 29, Issue 2, Page 516-519, June, 2025.
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James Harvey (2023). John Akomfrah Film-Philosophy (IF 0.4) Pub Date : 2025-05-27
Bjorn GabrielsFilm-Philosophy, Volume 29, Issue 2, Page 512-515, June, 2025.
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Rizvana Bradley (2023). Anteaesthetics: Black Aesthesis and the Critique of Form Film-Philosophy (IF 0.4) Pub Date : 2025-05-27
Claire Qing CaoFilm-Philosophy, Volume 29, Issue 2, Page 507-511, June, 2025.
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Can the West Speak? (Picturing the Quilting Point in Cambodian and Palestinian Films) Film-Philosophy (IF 0.4) Pub Date : 2025-05-27
Mila ZuoFilm-Philosophy, Volume 29, Issue 2, Page 479-506, June, 2025.
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Cinephilistinism and the Second Coming Film-Philosophy (IF 0.4) Pub Date : 2025-05-27
William BrownFilm-Philosophy, Volume 29, Issue 2, Page 452-478, June, 2025.
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Indigenous Screen Sovereignty in the Genre Films of Lisa Jackson, Elle-Máijá Tailfeathers and Danis Goulet Film-Philosophy (IF 0.4) Pub Date : 2025-05-27
Missy MolloyFilm-Philosophy, Volume 29, Issue 2, Page 425-451, June, 2025.
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Neptune Frost and the Anthropocene: Rethinking Third Cinema’s Anticolonial Politics Film-Philosophy (IF 0.4) Pub Date : 2025-05-27
Angelos KoutsourakisFilm-Philosophy, Volume 29, Issue 2, Page 401-424, June, 2025.
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Profane Illumination: On the Racial Limits of Documentary Realism Film-Philosophy (IF 0.4) Pub Date : 2025-05-27
Rizvana BradleyFilm-Philosophy, Volume 29, Issue 2, Page 380-400, June, 2025.
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Towards the Right to Cinematic Opacity: Navigating Transparency, Migration and Whiteness in Europe Film-Philosophy (IF 0.4) Pub Date : 2025-05-27
Nadica DenićFilm-Philosophy, Volume 29, Issue 2, Page 356-379, June, 2025.
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The Black Android, Janelle Monáe and Crossover Stardom: Race and Technology On-screen Film-Philosophy (IF 0.4) Pub Date : 2025-05-27
Liam RogersFilm-Philosophy, Volume 29, Issue 2, Page 329-355, June, 2025.
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Introduction: Critical Race Theory and Film-Philosophy Film-Philosophy (IF 0.4) Pub Date : 2025-05-27
William Brown, Mila ZuoFilm-Philosophy, Volume 29, Issue 2, Page 301-311, June, 2025.
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Jenna Ng (2021). The Post-Screen through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie Film-Philosophy (IF 0.4) Pub Date : 2025-01-20
Shaopeng ChenFilm-Philosophy, Volume 29, Issue 1, Page 296-299, February, 2025.
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Victor Fan (2022). Cinema Illuminating Reality: Media Philosophy through Buddhism Film-Philosophy (IF 0.4) Pub Date : 2025-01-20
William BrownFilm-Philosophy, Volume 29, Issue 1, Page 292-295, February, 2025.
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Jean Ma (2022). At the Edges of Sleep: Moving Images and Somnolent Spectators Film-Philosophy (IF 0.4) Pub Date : 2025-01-20
Juan Camilo VelásquezFilm-Philosophy, Volume 29, Issue 1, Page 288-291, February, 2025.
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Julian Hanich & Martin P. Rossouw (Eds.) (2023). What Is Film Good For? On the Values of Spectatorship Film-Philosophy (IF 0.4) Pub Date : 2025-01-20
Francesco SticchiFilm-Philosophy, Volume 29, Issue 1, Page 283-287, February, 2025.
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Plastic Surgery: Under the Skin, Suture, Destructive Plasticity and Post-Cinematic Ontologies Film-Philosophy (IF 0.4) Pub Date : 2025-01-20
Greg HaingeFilm-Philosophy, Volume 29, Issue 1, Page 264-282, February, 2025.
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From Ascetic Ideals to Honest Illusions: A Nietzschean Interpretation of Inception Film-Philosophy (IF 0.4) Pub Date : 2025-01-20
Yonghwa Lee, Kyoung-Min HanFilm-Philosophy, Volume 29, Issue 1, Page 244-263, February, 2025.
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Eternity Descending into Time: Badiou and the Cinematic Temporality of Love Film-Philosophy (IF 0.4) Pub Date : 2025-01-20
Lu ZengFilm-Philosophy, Volume 29, Issue 1, Page 221-243, February, 2025.
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Speculative Transitions: Hegel, John Huston’s Moby Dick and the Dissolve Film-Philosophy (IF 0.4) Pub Date : 2025-01-20
Joshua Harold WiebeFilm-Philosophy, Volume 29, Issue 1, Page 199-220, February, 2025.
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The Dweller on the Threshold: Whiteness, the Family and the End of Classical Cinema Film-Philosophy (IF 0.4) Pub Date : 2025-01-20
Conall CashFilm-Philosophy, Volume 29, Issue 1, Page 169-198, February, 2025.
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Dwelling in the Abyss: Society in Werner Herzog and Martin Heidegger Film-Philosophy (IF 0.4) Pub Date : 2025-01-20
Haotian WuFilm-Philosophy, Volume 29, Issue 1, Page 144-168, February, 2025.
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The Action Mode: Mile 22 and the Tension of Hypermediated Embodiment Film-Philosophy (IF 0.4) Pub Date : 2025-01-20
Jonah JengFilm-Philosophy, Volume 29, Issue 1, Page 119-143, February, 2025.
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Cinematic Mythmaking in Andrey Zvyagintsev's The Return and The Banishment Film-Philosophy (IF 0.4) Pub Date : 2025-01-20
Louis Samuel MealingFilm-Philosophy, Volume 29, Issue 1, Page 94-118, February, 2025.
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The Ethics of Refusal in Terrence Malick’s A Hidden Life Film-Philosophy (IF 0.4) Pub Date : 2025-01-20
Marguerite La Caze, Magdalena ZolkosFilm-Philosophy, Volume 29, Issue 1, Page 72-93, February, 2025.
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Kracauer and Tarkovsky’s Cinema of Redemptive Estrangement Film-Philosophy (IF 0.4) Pub Date : 2025-01-20
Daniel SullivanFilm-Philosophy, Volume 29, Issue 1, Page 46-71, February, 2025.
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Existential and Phenomenological Horror in Les Diaboliques Film-Philosophy (IF 0.4) Pub Date : 2025-01-20
Daniel TilsleyFilm-Philosophy, Volume 29, Issue 1, Page 23-45, February, 2025.
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Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic Selfhood Film-Philosophy (IF 0.4) Pub Date : 2025-01-20
John Michael Corrigan, Justin PrystashFilm-Philosophy, Volume 29, Issue 1, Page 1-22, February, 2025.
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Shane Denson (2023). Post-Cinematic Bodies Film-Philosophy (IF 0.4) Pub Date : 2024-09-25
Emma Dussouchaud-EsclamadonFilm-Philosophy, Volume 28, Issue 3, Page 624-626, October, 2024.
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Matthew Rukgaber (2022). Nietzsche in Hollywood: Images of the Übermensch in Early American Cinema Film-Philosophy (IF 0.4) Pub Date : 2024-09-25
Paolo StellinoFilm-Philosophy, Volume 28, Issue 3, Page 620-623, October, 2024.
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Steven DeLay (ed.) (2023). Life Above the Clouds: Philosophy in the Films of Terrence Malick Film-Philosophy (IF 0.4) Pub Date : 2024-09-25
Martin WoessnerFilm-Philosophy, Volume 28, Issue 3, Page 616-619, October, 2024.
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Francesco Sticchi (2021). Mapping Precarity in Contemporary Cinema and Television: Chronotopes of Anxiety, Depression, Expulsion/Extinction Film-Philosophy (IF 0.4) Pub Date : 2024-09-25
Tim LindemannFilm-Philosophy, Volume 28, Issue 3, Page 612-615, October, 2024.
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The Pleasure of Self-erasure: Malabou, (Sexual) Anarchy and Agnès Varda’s Sans toit ni loi Film-Philosophy (IF 0.4) Pub Date : 2024-09-25
Monique RooneyFilm-Philosophy, Volume 28, Issue 3, Page 586-611, October, 2024.
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Derivative Desires and Plastic Pedagogies: Malabou, Psychoanalysis and The Big Short Film-Philosophy (IF 0.4) Pub Date : 2024-09-25
Scott KrzychFilm-Philosophy, Volume 28, Issue 3, Page 561-585, October, 2024.
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Malabou, Medicine and Film: Screening Brain Injury, Organ Transplantation and Plasticity in Katell Quillévéré's Heal the Living Film-Philosophy (IF 0.4) Pub Date : 2024-09-25
Benjamin DaltonFilm-Philosophy, Volume 28, Issue 3, Page 534-560, October, 2024.
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Feminist Epigenet(h)ics: Maternal Waters, Gestational Forms and Mitochondrial Eves in Lucile Hadžihalilović’s Evolution Film-Philosophy (IF 0.4) Pub Date : 2024-09-25
Katie GossFilm-Philosophy, Volume 28, Issue 3, Page 504-533, October, 2024.
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What Is the Work of Animation? The Plasticity of Time in the Fourth-Dimensional Image Film-Philosophy (IF 0.4) Pub Date : 2024-09-25
Cassandra GuanFilm-Philosophy, Volume 28, Issue 3, Page 477-503, October, 2024.
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Voir venir the New Wave: Plasticity in Jacques Rivette’s Film Criticism Film-Philosophy (IF 0.4) Pub Date : 2024-09-25
Marco GrosoliFilm-Philosophy, Volume 28, Issue 3, Page 454-476, October, 2024.
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Malabou's Cineplastics and Contemporary French Film: Jacques Audiard, Céline Sciamma and Mia Hansen-Løve Film-Philosophy (IF 0.4) Pub Date : 2024-09-25
Martin O’ShaughnessyFilm-Philosophy, Volume 28, Issue 3, Page 428-453, October, 2024.
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Introduction: Catherine Malabou, Plasticity and Film Film-Philosophy (IF 0.4) Pub Date : 2024-09-25
Benjamin Dalton, Ben TyrerFilm-Philosophy, Volume 28, Issue 3, Page 413-427, October, 2024.
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Chelsea Birks (2021). Limit Cinema: Transgression and the Nonhuman in Contemporary Global Film Film-Philosophy (IF 0.4) Pub Date : 2024-04-22
AugustinFilm-Philosophy, Volume 28, Issue 2, Page 409-412, June, 2024.
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Daniel Mourenza (2020). Walter Benjamin and the Aesthetics of Film Film-Philosophy (IF 0.4) Pub Date : 2024-04-22
Hyojin YoonFilm-Philosophy, Volume 28, Issue 2, Page 405-408, June, 2024.
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David Martin-Jones (2022). Columbo: Paying Attention 24/7 Film-Philosophy (IF 0.4) Pub Date : 2024-04-22
Timna RauchFilm-Philosophy, Volume 28, Issue 2, Page 400-404, June, 2024.
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Chiara Quaranta (2023). Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction Film-Philosophy (IF 0.4) Pub Date : 2024-04-22
Francesco SticchiFilm-Philosophy, Volume 28, Issue 2, Page 395-399, June, 2024.
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The Filter and the Viewer: On Audience Discretion in Film Noir Film-Philosophy (IF 0.4) Pub Date : 2024-04-22
Steven G. SmithFilm-Philosophy, Volume 28, Issue 2, Page 375-394, June, 2024.
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Home Movies as Reliquaries of Memory: A Phenomenological Perspective Film-Philosophy (IF 0.4) Pub Date : 2024-04-22
Lourdes Esqueda VeranoFilm-Philosophy, Volume 28, Issue 2, Page 350-374, June, 2024.
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Blue Boys: Maurice Pialat, Nicolas Poussin and the Work of Art Film-Philosophy (IF 0.4) Pub Date : 2024-04-22
David A. GerstnerFilm-Philosophy, Volume 28, Issue 2, Page 322-349, June, 2024.
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Inauthenticity as a Disruption of Neoliberal Resilience Discourse in Brady Corbet's Vox Lux Film-Philosophy (IF 0.4) Pub Date : 2024-04-22
Alice PemberFilm-Philosophy, Volume 28, Issue 2, Page 294-321, June, 2024.
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Every Wholly Other: Postsecular Pluralism in Isabel Rocamora's Faith Film-Philosophy (IF 0.4) Pub Date : 2024-04-22
Mark CauchiFilm-Philosophy, Volume 28, Issue 2, Page 269-293, June, 2024.
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Even the Sea is Broken: Return and Loss in Razan AlSalah’s Video Works Film-Philosophy (IF 0.4) Pub Date : 2024-04-22
Samira MakkiFilm-Philosophy, Volume 28, Issue 2, Page 248-268, June, 2024.
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Nietzschean Themes in Béla Tarr's The Turin Horse Film-Philosophy (IF 0.4) Pub Date : 2024-04-22
Paolo StellinoFilm-Philosophy, Volume 28, Issue 2, Page 226-247, June, 2024.
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Anima(l) Moralia, or Righteous Anger: Agnieszka Holland’s Spoor Film-Philosophy (IF 0.4) Pub Date : 2024-04-22
Elżbieta OstrowskaFilm-Philosophy, Volume 28, Issue 2, Page 202-225, June, 2024.
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New Materialist Freedom in Chloé Zhao's Nomadland Film-Philosophy (IF 0.4) Pub Date : 2024-04-22
Randy LaistFilm-Philosophy, Volume 28, Issue 2, Page 181-201, June, 2024.
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When the Wind Is Gently Rustling: Film and the Aesthetics of Natural Beauty Film-Philosophy (IF 0.4) Pub Date : 2024-04-22
Julian HanichFilm-Philosophy, Volume 28, Issue 2, Page 153-180, June, 2024.
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Genevieve Yue (2021). Girl Head: Feminism and Film Materiality Film-Philosophy (IF 0.4) Pub Date : 2024-01-09
Laura StaabFilm-Philosophy, Volume 28, Issue 1, Page 148-151, February, 2024.
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Eugenie Brinkema (2022). Life-Destroying Diagrams Film-Philosophy (IF 0.4) Pub Date : 2024-01-09
Archie WolfmanFilm-Philosophy, Volume 28, Issue 1, Page 144-147, February, 2024.
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Padraic Killeen (2022). The Dark Interval: Film Noir, Iconography, and Affect Film-Philosophy (IF 0.4) Pub Date : 2024-01-09
William B. CoveyFilm-Philosophy, Volume 28, Issue 1, Page 140-143, February, 2024.
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Kelli Fuery (2022). Ambiguous Cinema: From Simone de Beauvoir to Feminist Film Phenomenology Film-Philosophy (IF 0.4) Pub Date : 2024-01-09
Kate InceFilm-Philosophy, Volume 28, Issue 1, Page 136-139, February, 2024.
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Matilda Mroz (2020). Framing the Holocaust in Polish Aftermath Cinema: Posthumous Materiality and Unwanted Knowledge Film-Philosophy (IF 0.4) Pub Date : 2024-01-09
Emily-Rose BakerFilm-Philosophy, Volume 28, Issue 1, Page 131-135, February, 2024.
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Response to Critical Views of Phenomenology of Film Film-Philosophy (IF 0.4) Pub Date : 2024-01-09
Shawn LohtFilm-Philosophy, Volume 28, Issue 1, Page 113-130, February, 2024.