Published in Dance Chronicle (Vol. 47, No. 3, 2024)

Published in Dance Chronicle (Vol. 47, No. 3, 2024)

Published in Dance Chronicle (Vol. 47, No. 3, 2024)

The rise of K-pop cover dancers worldwide reveals how artists creatively adapt and transform this genre to suit local priorities. This ethnographic analysis examines two K-pop cover dancer influenc...

This study proposes that the inclusion of the Aragonese jota (a type of folk dance) in The Three-Cornered Hat contributed to interwar transnational modernism. The modern ballet, which opened at the...

A close examination of the Alvin Ailey American Dance Theater’s 1962 Seoul performance, as well as Ailey’s influence on Korean dancers’ training and choreography, reveals that Ailey’s impact on Kor...

In this autoethnographic description of her training and teaching philosophy, Chandra Moss-Thorne offers connections between dance history and pedagogy. Explicitly, the article traces Moss-Thorne's...

Via Dolorosa is a procession dance created in 1983 by the Israeli choreographer Amir Kolben with Ramla Dance Theater. A reenactment by Galia Lever in 2019 introduced a new dimension by incorporatin...

This narrative inquiry article tells the story of Al-Sarab Dance School, which began as a series of summer dance workshops taught by Nadra Assaf in the 1980s in and around Byblos, Lebanon. The work...

Published in Dance Chronicle (Vol. 47, No. 2, 2024)

Published in Dance Chronicle (Vol. 47, No. 2, 2024)

Published in Dance Chronicle (Vol. 47, No. 2, 2024)

Published in Dance Chronicle (Vol. 47, No. 2, 2024)

For the past twenty-two years, productions by the Hareket Atölyesi Topluluğu (Movement Atelier Company), an all-female ensemble based in Istanbul, have related to spaces such as the country, the ci...

Published in Dance Chronicle (Vol. 47, No. 2, 2024)

Published in Dance Chronicle (Vol. 47, No. 2, 2024)

Published in Dance Chronicle (Vol. 47, No. 2, 2024)

Published in Dance Chronicle (Vol. 47, No. 2, 2024)

Published in Dance Chronicle (Vol. 47, No. 2, 2024)

This study unravels the intricate dynamics of ballet competitions in South Korea, highlighting the interplay between domestic and international competitions. Expected to function as fair and credib...

The research project Tapping the Margins was undertaken by Ann Kilkelly and Mary Neth from 1999 through 2005 and focused on women in tap dance. Their scope was unprecedented: to analyze constructio...

Published in Dance Chronicle (Vol. 47, No. 2, 2024)

This paper examines dance reviews of transnational performances of Indian male dancers Uday Shankar and Ram Gopal from the 1930s to the 1950s. Throughout, this research seeks to contribute to metho...

Published in Dance Chronicle (Vol. 47, No. 1, 2024)

Published in Dance Chronicle (Vol. 47, No. 1, 2024)

Published in Dance Chronicle (Vol. 47, No. 1, 2024)

Published in Dance Chronicle (Vol. 47, No. 1, 2024)

Published in Dance Chronicle (Vol. 47, No. 1, 2024)

Published in Dance Chronicle (Vol. 47, No. 1, 2024)

Published in Dance Chronicle (Vol. 47, No. 1, 2024)

Published in Dance Chronicle (Vol. 47, No. 1, 2024)

The ancient Greek myth of Ariadne provides clues about the vitality of movement—its expression and action—and how it evokes a concept of selfhood that does not venerate arrival. This article analyz...

This article reads James Baldwin’s performative labor in the 1964 documentary film Take This Hammer as the staging of an engagement between Saidiya Hartman and Judith Butler’s contending approaches...

Using discourse analysis and autoethnographic research, I center twerking as a Black dance and a Black feminist practice. My research challenges omissions in communication studies, which has tended...