• Contributors

Bernadette Andrea is Professor of English and Comparative Literature at the University of California, Santa Barbara, where she is also affiliated with the Center for Middle East Studies and the Department of Feminist Studies. She is the author of The Lives of Girls and Women from the Islamic World in Early Modern British Literature and Culture (2017) and Women and Islam in Early Modern English Literature (2007). Her edited books include Travel and Travail: Early Modern Women, English Drama, and the Wider World, with Patricia Akhimie (2019); English Women Staging Islam, 1696–1707 (2012); and Early Modern England and Islamic Worlds, with Linda McJannet (2011). She has served as coeditor, with Julie D. Campbell and Allyson M. Poska, of Early Modern Women: An Interdisciplinary Journal (2017–2024), and as the President of the Shakespeare Association of America (2022–2023).

Michel Büch is a postdoctoral researcher at the Institute of English and American Studies at the University of Hamburg. His interdisciplinary research bridges theatre and performance studies with critical race theory, psychoanalysis, affect theory, and neuroscience to enable a thorough critique of modernity and its lived realities today. Drawing on extensive experience in dramaturgy and cultural management, Büch uniquely integrates rigorous scholarship with practical theatre expertise and collaboration with academics and theatre professionals in his teaching. He is the author of Whiteface: Antiblackness and Improv Comedy (2022) and serves as production manager for the University Players.

Jiamiao Chen (陈佳苗) is a PhD candidate in the English Department of the University of Bristol. Her research interests include late medieval and early modern drama, medieval hagiography, and Geocriticism.

Erith Jaffe-Berg is Professor of Theatre at the Department of Theatre, Film and Digital Production at the University of California at Riverside. Her research focuses on the commedia dell’arte and performances by minority groups in Early Modern Italy. She is the author of Jewish Theatre Making in Mantua, 1520–1650 (2022), Commedia dell’Arte and the Mediterranean: Charting Journeys and Mapping “Others” (2015), and The Multilingual Theatre of Commedia dell’Arte (2008). She has published essays on early modern performance in journals such as I Tatti Studies, Theatre Survey, Early Theatre, and The Journal of Dramatic Theatre and Criticism. She has contributed to various anthologies, most recently The Palgrave Handbook on Theatre and Migration (2024), the Routledge Encyclopedia of the Renaissance World (2023), and the Routledge Companion to Theatre History and Historiography (2021). She is a member of LA-based Theatre Dybbuk, a recipient of the UCR Distinguished Teaching Award, a recipient of a UC Humanities Research Institute fellowship and a Gladys Krieble Delmas Foundation grant.

Patrick Maley is formerly an Associate Professor of English and currently an attorney in New Jersey. He is the author of After August: Blues, August Wilson, and American Drama (University of Virginia Press, 2019). His scholarship appears in Modern Drama, The Eugene O’Neill Review, New Hibernia Review, Irish Studies Review, Field Day Review, Seton Hall Law Review, and an earlier volume of Comparative Drama, as well as in edited collections from Cambridge University Press, Northwestern University Press, and Rutgers University Press. He has contributed book and theatre reviews to African American Review, Theatre Journal, Theatre History Studies, Modern Drama, and The Journal of Dramatic Theory and Criticism. He is also an active theatre critic in New York and New Jersey. His reviews can be found on NJ.com and exeuntnyc.com.

John Saillant is professor of English and History at Western Michigan University. He is the author of Black Puritan, Black Republican: The Life and Thought of Lemuel Haynes (2003), the co-editor, with Joanna Brooks, of “Face Zion Forward”: First Writers of the Black Atlantic (2002), and editor of Afro-Virginian History and Culture (1999; repr. 2013). He has published recently on black religion and resistance, in journals such as Nineteenth-Century Contexts (2024), Atlantic Studies (2023), and The CLR James Journal (2019), as well as on pedagogy flowing from the “black Atlantic,” in Early American Literature (2024). He teaches courses on early American and early African Atlantic topics.

Camilla Stevens is a Professor in the Departments of Spanish and Portuguese and Latino and Caribbean Studies at Rutgers University-New Brunswick. She specializes...

•  贡献

伯纳黛特·安德里亚 （Bernadette Andrea） 是加州大学圣巴巴拉分校 （University of California， Santa Barbara） 的英语和比较文学教授，她还隶属于中东研究中心 （Center for Middle East Studies） 和女权主义研究系 （Department of Feminist Studies）。她著有《早期现代英国文学和文化中来自伊斯兰世界的女孩和妇女的生活》（2017 年）和《早期现代英国文学中的妇女和伊斯兰教》（2007 年）。她编辑的书籍包括：Travel and Travail： Early Modern Women， English Drama， and the Wider World，与 Patricia Akhimie 合著（2019 年）;英国妇女舞台伊斯兰教，1696-1707 年（2012 年）;以及 Early Modern England and Islamic Worlds，与 Linda McJannet 合著（2011 年）。她曾与 Julie D. Campbell 和 Allyson M. Poska 共同编辑《早期现代女性：跨学科期刊》（2017-2024 年），并担任美国莎士比亚协会主席（2022-2023 年）。

Michel Büch 是汉堡大学英美研究所的博士后研究员。他的跨学科研究将戏剧和表演研究与批判性种族理论、精神分析、情感理论和神经科学联系起来，从而能够对现代性及其当今的生活现实进行彻底的批判。凭借在戏剧构作和文化管理方面的丰富经验，Büch 独特地将严谨的学术研究与实用的戏剧专业知识相结合，并在教学中与学术界和戏剧专业人士合作。他是 Whiteface： Antiblackness and Improv Comedy （2022） 的作者，并担任 University Players 的制作经理。

陈佳苗是布里斯托大学英语系的博士生。她的研究兴趣包括中世纪晚期和现代早期戏剧、中世纪圣徒传记和地缘批评。

埃里斯·贾菲-伯格（Erith Jaffe-Berg）是加州大学河滨分校（University of California at Riverside）戏剧、电影和数字制作系的戏剧教授。她的研究重点是近代早期意大利的艺术喜剧和少数群体的表演。她著有《曼图亚的犹太戏剧制作，1520-1650 年》（2022 年）、《艺术喜剧和地中海：绘制旅程和绘制“他人”》（2015 年）和《艺术喜剧多语种剧院》（2008 年）。她在 I Tatti Studies、Theatre Survey、Early Theatre 和 The Journal of Dramatic Theatre and Criticism 等期刊上发表了关于早期现代表演的文章。她为各种选集做出了贡献，最近的是《帕尔格雷夫戏剧与移民手册》（2024 年）、《劳特利奇文艺复兴世界百科全书》（2023 年）和《劳特利奇戏剧历史和史学指南》（2021 年）。她是洛杉矶 Theatre Dybbuk 的成员、UCR 杰出教学奖的获得者、加州大学人文研究所奖学金和 Gladys Krieble Delmas 基金会的资助者。

Patrick Maley 曾是英语副教授，目前是新泽西州的一名律师。他是 After August： Blues， August Wilson， and American Drama （弗吉尼亚大学出版社，2019 年） 的作者。他的学术成果发表在《现代戏剧》、《尤金·奥尼尔评论》、《新希伯尼亚评论》、《爱尔兰研究评论》、《田野日评论》、《塞顿霍尔法律评论》和《比较戏剧》的早期卷中，以及剑桥大学出版社、西北大学出版社和罗格斯大学出版社的编辑文集中。他曾为《非裔美国人评论》、《戏剧杂志》、《戏剧历史研究》、《现代戏剧》和《戏剧理论与批评杂志》撰写书籍和戏剧评论。他还是纽约和新泽西州的活跃戏剧评论家。他的评论可以在 NJ.com 和 exeuntnyc.com 上找到。

约翰·塞兰特（John Saillant）是西密歇根大学（Western Michigan University）的英语和历史教授。他是《黑人清教徒，黑人共和党人：莱米尔·海恩斯的生平和思想》（2003 年）的作者，与乔安娜·布鲁克斯合编了《面对锡安向前》：黑色大西洋的第一批作家（2002 年），以及《非裔弗吉尼亚历史和文化》（1999 年;2013 年修订）的编辑。他最近在《十九世纪背景》（2024 年）、《大西洋研究》（2023 年）和《CLR 詹姆斯杂志》（2019 年）等期刊上发表了关于黑人宗教和抵抗的文章，并在《早期美国文学》（2024 年）上发表了关于“黑大西洋”的教育学的文章。他教授早期美国和早期非洲大西洋主题的课程。

卡米拉·史蒂文斯 （Camilla Stevens） 是罗格斯大学新不伦瑞克分校西班牙语和葡萄牙语以及拉丁裔和加勒比研究系的教授。她专注于...