My examination of game play, ludic activity and being playful in immersive Gatsby shows that Gatsby is a typical example of the playification of theatre in the contemporary art scene. In using the term ‘playification’, I refer to the method of incorporating diverse play categories in theatre to motivate audience activity. While much critical attention has been devoted to the controversial nature of active spectating as a practice of audience emancipation, there has been relatively less focus on its play aspect. To develop an understanding of the idea of play in immersive theatre, I refer to the works of Johan Huizinga and Richard Schechner, and apply Schechner's language, which distinguishes play and game in immersive theatre. Moreover, in developing Schechner's vocabulary in the context of immersive theatre, I expand my scope of reference to include the insights of game theorists.

中文翻译：

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戏剧的戏剧化：游戏、滑稽活动和在《了不起的盖茨比》中嬉戏：身临其境的戏剧体验


我对沉浸式《盖茨比》中的游戏、滑稽活动和嬉戏的考察表明，《盖茨比》是当代艺术界戏剧游戏化的典型例子。在使用 “playification” 一词时，我指的是在剧院中融入各种戏剧类别以激励观众活动的方法。虽然人们将大量批判性注意力集中在积极观看作为一种观众解放实践的争议性上，但对其游戏方面的关注相对较少。为了加深对沉浸式戏剧中游戏概念的理解，我参考了 Johan Huizinga 和 Richard Schechner 的作品，并应用了 Schechner 的语言，该语言区分了沉浸式戏剧中的游戏和游戏。此外，在沉浸式戏剧的背景下发展 Schechner 的词汇时，我扩大了我的参考范围，包括博弈论家的见解。