Globalization and the digital revolution have forced a rethink of many philosophical works of the 20th century. Among them, Martin Heidegger’s ideas attract special attention. The main purpose of the article is to study the dichotomy of opposition between the image of technology and the pre-technological era in Martin Heidegger’s philosophy of art. Research methods include the possibility of recombination of heterogeneous data to obtain previously unknown knowledge and semantic analysis of Martin Heidegger’s works. The study proposes a model of the dichotomy of civilization development within the framework of Ge-stell. The essence of this model is the concept of Ge-stell, which now covers modern civilization with industrial and digital technologies. At the same time, humanity and nature are a “permanent reserve” in relation to Ge-stell, that is, according to Heidegger’s ideas, Bestand. Humanity has two paths of development, which involve creation and destruction. Technological development over the past two centuries has caused a global environment. In his philosophy, Heidegger proposed art as the only way to overcome the crisis of modernity. The findings expand the understanding of the global problems associated with the modern development of human civilization through a new rethinking of Heidegger’s ideas. The study offers an alternative to the path of destruction through the mechanism of creative perception of technology through art.

全球化和数字革命迫使人们重新思考 20 世纪的许多哲学著作。其中，马丁·海德格尔的思想引起了特别的关注。本文的主要目的是研究马丁·海德格尔 （Martin Heidegger） 艺术哲学中技术形象与前技术时代之间的对立二分法。研究方法包括重新组合异构数据以获得以前未知的知识和对马丁·海德格尔作品的语义分析。该研究提出了一个 Ge-stell 框架内文明发展二分法的模型。该模型的本质是 Ge-stell 的概念，它现在用工业和数字技术涵盖了现代文明。同时，人类和自然是相对于 Ge-stell 的“永久储备”，即根据海德格尔的思想，Bestand。人类有两条发展道路，分别是创造和毁灭。过去两个世纪的技术发展造成了全球环境。在他的哲学中，海德格尔提出艺术是克服现代性危机的唯一途径。这些发现通过对海德格尔思想的新重新思考，扩展了对与人类文明现代发展相关的全球性问题的理解。这项研究通过艺术对技术的创造性感知机制，为毁灭之路提供了另一种选择。